10. Orphan Black (BBC America)
Tatiana Maslany played the role — or rather roles —of the year as a
series of far-flung clones who discover they’re connected by genetic
material and a dark conspiracy. Often playing opposite herself, she
executed a range of characters — and characters pretending to be other
characters — while capturing a commonality that was more than skin-deep.
This was not just a one-woman show, though: stylish, relentless, tense,
and twistily plotted, it was the smartest and freshest new work of TV sci-fi since
Battlestar Galactica. This kind of ingenuity you can’t just clone in a test tube.
9. Mad Men (AMC)
Jamie Trueblood / AMC
This drama’s sixth season was not as explosive as some past years.
But this long into its run, it still manages to be the most genuinely
surprising drama on TV: you begin with no certain sense of where you’ll
end up one hour later. With the end of the ‘60s (and the series’ run)
approaching, it found typically sly angles on the sky-falling zeitgeist
of 1968, kept up a sense of wild narrative playfulness (amphetamine
injection, anyone?), and ended with chameleon Don Draper on the verge of
possibly the most intriguing change of his life: back into his genuine
self.
8. The Americans (FX)
Frank Ockenfels / FX
Spoiler alert: the Russians lost the Cold War.
Despite that — and, in many, ways because of it —this new thriller
about deep-cover KGB agents posing as a married couple in suburban
Virginia had a compelling debut season. Philip and Elizabeth Jennings
(Matthew Rhys and Keri Russell) are loyally serving a doomed cause while
trying to make their forced marriage work. Their identities are fake, their emotions are real — and the wigs look fabulous.
7. Rectify (Sundance)
Blake Tyers / Sundance Channel
The wonderful thing about 2013 wasn’t just about the arrival of new
quality shows, but also the arrival of new outlets for quality shows
(see: Netflix, with Orange Is the New Black, above). Sundance found a
niche for series that simmered low and lingered long: French
supernatural mystery,
The Returned, psychological whodunit Top
of the Lake, and this mesmerizing drama about a man released on an
overturned conviction after serving 19 years for murder. Like other
strong dramas in 2013 (
The Bridge,
Broadchurch), this haunting drama explored not just a crime but its endless reverberations.
6. Bob’s Burgers (Fox)
FOX
In its fourth season,
Bob’s Burgers is the most grounded,
down-to-earth family sitcom on TV right now, and I say that with full
awareness that its past year featured episodes about Thomas Edison’s
electrocution of an elephant and a talking electronic toilet (voiced by
Mad Men‘s Jon Hamm). But Bob’s is really in the spirit of great Fox animated sitcoms from
The Simpsons to
King of the Hill;
the story of a family (running a shore-town burger joint) whose
eccentricities only make it more universal. Fresh and funny, this show
has found its voice, even when that voice comes out of a toilet.
5. The Good Wife (CBS)
David M. Russell / CBS
This legal drama practically had it all: humor, sexiness, suspense,
sophistication, fun, political smarts, and moral complexity. How do you
possibly improve on that setup? By blowing it all up. The fifth season
of
The Good Wife let loose an earthquake in the halls of
Lockhart/Gardner, having Alicia Florrick (Julianna Margulies) and
compatriots split off from their longtime firm. The result has been a
thrilling legal and political war in which the good guys are not
entirely good, the bad guys are not entirely bad, and the audience
—getting to watch a grown-up drama at its peak — wins either way.
4. Game of Thrones (HBO)
There are a lot of threads in this fantasy epic’s tapestry: religion,
intrigue, mythology, family drama, and two continents full of
intersecting storylines. Above all, though,
GoT has emerged as
TV’s best drama about politics and power: the multiply-contested battle
for the Iron Throne of Westeros has become a complex study of power and
leadership — and the difference between the two. From the emergence of
exile princess Daenerys as a fearsome leader to a less-than-storybook
royal wedding to a stunning and bloody betrayal, season 3 stretched its
growing dragon wings and breathed fire.
3. Orange Is the New Black (Netflix)
Netflix
The streaming-video outlet emerged as a force in TV this season, first with an HBO-style antihero drama (
House of Cards) and an ambitiously rebooted network-TV treasure (
Arrested Development).
But it found its most original voice in this prison drama. The
fish-out-of-water story of yuppie drug mule Piper Chapman (Taylor
Schilling) grew into a rich, darkly funny ensemble story of a prison’s
complex society. This racially, sexually, and economically diverse
series picked up where TV crime stories usually end; each of its
jailbirds has a song worth hearing.
2. Breaking Bad (AMC)
Frank Ockenfels / AMC
Forget Chekhov’s Gun; the final run of this meth-morality drama
started with a whole Chekhov’s Arsenal waiting to deploy — a machine
gun, a ricin capsule, Walter White’s cancer, Hank’s discovery of his
brother-in-law’s criminal career, a pile of money, and several barrels
full of secrets. By season’s end, Vince Gilligan, Bryan Cranston, and
company left it all on the field. You could argue about details —
whether the finale, say, had the epic power of the seven episodes
thundering up to it. But like the glaring desert sun, this show’s ending
shone an unsparing light on Walter’s sins and their repercussions. This
modern-day drug Western died with its boots on.
1. Enlightened (HBO)
Lacey Terrell / HBO
Laura Dern and Mike White’s series was always an odd hybrid: part
drama, part comedy; part satirical, part earnest; part introspective
character study, part outward-focused whistleblower story. But it was
always fully committed. In the second (and, sadly, final season), New
Age crusader Amy Jellicoe (Dern) fought to expose corruption at the
company she worked for while wrestling with her own issues after a
nervous breakdown. At a time when ambitious TV focused mostly on
ruthless men breaking bad, this was an unsparing but hopeful look at how
much work it is to be good.
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